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In this project the designers wanted to achieve a graceful rounded three-dimensional surface using the most simple pattern – a singular linear strip. Turning flat material into three dimensional volumetric shapes can be done in many ways: from pattern making in fashion to complex origami folding. This project is all about the effortlessness of its geometry.
Shell in berglass upholstered with flame-retardant polyurethane foam. Base in varnished natural oak. The covers are not removable.
Length: 54 cm
Width: 54 cm
Moroso has been working in close collaboration with some of the worldâ€™s most talented designers to produce luxury sofas and seating since 1952.
Today the company is headed by the second generation of the Moroso family- Roberto, the CEO, and Patrizia, the Art Director,- and is an example of how a small Italian artisan-owner company has evolved since it was run until the nineties by Agostino Moroso. The company has always been open to new ideas, from its origins in post-war Italy where there was a culture of â€˜doing things and doing them wellâ€™, Moroso has been farsighted, daring and certain of the advantage of combining craftsmanship and tailoring with industrial processing techniques to create unique products and by drawing on the worlds of industrial design, contemporary art and fashion.
Along with its product catalogue, the culmination of thirty years work in design and expression, Moroso offers customers its design and production expertise to create customized projects for the contract and luxury residential sectors. Our ability to offer unique products is thanks to the combined talents of our 70 master artisans, our network of trusted suppliers, the use of high quality materials and a true attention to detail.
After graduating from the Royal College of Art in 2007, Yael and Shay set up a design studio where their imaginations could take flight: furniture, installations, and products began to develop with a strong accent on playfulness and childlike wonder.The studio became a place where curiosity would be a prevalent factor in the creation of their designs, a place where they could embark on a continuous journey of discovery, turning the world upside down and inside out, cracking things open and studying their structure, always striving for surprise, wonder, humour.
Colours, patternmaking and movement form a large part of the DNA at Raw-Edges. The ideas of energy and provocative illusion are aimed at bringing out the kid in all of us who engage with it, an ongoing battle against boredom perhaps! Some ideas include pouring expandable foam into folded paper cavities, cooking timber in boiling dyes, and making paper moulds for the production of industrial ceramic tiles.
Yael and Shay met in Jerusalem and moved to London to study at the RCA, where Ron Arad was head of the course at the time. Under the guidance of their tutors Daniel Charney and Rober Feo, they began to experiment with creating new typologies, by thinking how everyday surroundings might be enriched by the products we use and the objects we own. In a show curated by Martino Gamper, held just after graduating, Yael and Shay presented Stack and Volume, which helped to establish the foundation of the studio.